There are two situations, then, where you’d want to stitch manually using a more sophisticated software: Your camera doesn’t come with an automatic stitching software, or you want to have more control over making a video appear cohesive by hiding particularly tricky stitch lines. In the picture below, the subject was standing directly in the overlap between two lenses, and his face got caught in a stitch line. The areas on either side of stitch lines might look a bit discolored in contrast to one another, because the cameras were automatically set to different light settings. “Stitch lines” in 360 are the areas of overlap between the lenses that have been stitched together, and appear as disconnected lines that are clearly meant to be continuous. This automation makes life remarkably easier for generating a vast amount of 360 content quickly, but comes at the cost of inexact stitching.
Autopano video 360 software#
The Gear 360, for example, comes with software called “ Gear 360 Action Director.” Importing footage from the camera into this software automatically stitches the video for you, no additional work necessary. Most 360 cameras have proprietary stitching software that stitch automatically in most cases. Garmin and other companies have recently demonstrated interest in creating cameras that stitch on board, meaning that this step will likely soon be technologically obsolete, but for now, we have to figure out a way to blend the lenses into one video on our own. These video files must be combined using “video stitching” software on a computer or phone before the video becomes one connected, viewable video. Different cameras have different methods of outputting footage, but usually each camera lens corresponds to a separate video file. When viewing from a desktop PC, a mouse or keypad is used for interactivity and playback view is typically 4:3 window on a computer display or projection screen or other presentation device such as a head-mounted display.For the time-being, footage filmed on most 360° cameras cannot be directly edited and uploaded for viewing immediately after capture. Control is typically achieved via moving the device (e.g smartphones, Helmet-mounted displays, etc.), which gyroscope or infrared sensors translate into movement in the video.
The material is recorded as data that when played back through a software player allows the user control of the viewing direction and playback speed. ‘patching’ the Nadir with a logo, or using a still shot taken from the same position as the camera rig. Generally the only area that cannot be viewed is the view toward the camera support, but there are ways around this in post-production (e.g. For example, the stitching is not always seamless, and there are other obvious issues such as linear editing. There are still some significant issues with 360 degree video. The individual video files are stitched together using editing software, such as Autopano Video or VideoStitch, and the stitched file is injected with 360 degree metadata from Google. One is placing six GoPros around a specially made rig that can be purchased online or printed on a 3D printer. There are a few ways to capture 360 degree video.
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